Prog Blues and may also some jazz fusion. Symphonic rock, psychedelic blues. USA Pistas Albert's Shuffle Stop Man's Temptation His Holy Modal Majesty Really It Takes A Lot To Laugh, It Takes A Train To Cry Season Of The Witch You Don't Love Me Harvey's Tune Bonus Tracks: 10 Albert's Shuffle (2002 Remix W/O Horns) Written-By – A. Bloomfield* 11 Season Of The Witch (2002 Remix W/O Horns) Written-By – D. Leitch* 12 Blues For Nothing Written-By – A. Kooper* 13 Fat Grey Cloud (Live) (Previously Unreleased) Written-By – A.

Size: 172 MB Bitrate: 320 mp3 Found in Explorer World No Artwork but some rare pictures. Born in Nottingham England, ALVIN LEE began playing guitar age 13 and formed the core of the band Ten Years After by aged 15. Originally influenced by his parent's collection of jazz and blues records, it was the advent of rock and roll that truly sparked his interest and creativity, and guitarists like Chuck Berry and Scotty Moore provided his inspiration.

Alvin Lee in Concert 1974 The Jaybirds, as Lee's early band was called, were popular locally and had success in Hamburg, Germany, following the Beatles there in 1962. But it wasn't until the band moved to London in 1966 and changed its name to TYA that international success beckoned. The band secured a residency at the legendary Marquee Club, and an invitation to the famous Windsor Jazz & Blues Festival in 1967 led to their first recording contract. The self titled debut album surprisingly received play on San Francisco's underground radio stations and was enthusiastically embraced by listeners, including concert promoter Bill Graham who invited the band to tour America for the first time in the summer of 1968. Audiences were immediately taken with Lee's distinctive, soulful, rapid fire guitar playing and the band's innovative mix of blues, swing jazz and rock, and an American love affair began. TYA would ultimately tour the USA 28 times in 7 years, more than any other U.K. Alvin Lee New Album 1973 Appearing at the famed Woodstock Festival, Lee's virtuoso performance was one of the highlights and remains today a standard for many other guitarists.

Crosby, Stills, Nash & Young - Almost Cut My Hair (Deja Vu outtakes #2) 13. Crosby, Stills, Nash & Young - You Don’t Have to Cry (This Is Tom Jones, ABC TV Studios, September 6, 1969). 'Deja Vu, Crosby Stills Nash & Young with Dallas Taylor (drums) and Greg Reeves (bass) The cover of this album was actually 'pebbled' so you could feel the texture' 'Crosby Stills Nash and Young - Woodstock ~ Even though i was only 9 that summer, Woodstock was an important event in my life in terms of music and ways of thinking.

Captured on film in the documentary of the festival, his inspired playing catapulted him into superstardom, and soon the band was playing arenas and stadiums around the globe. Although Lee later lamented that he missed the intimacy of smaller venues, there is no denying the impact the film made in bringing his music to a worldwide audience. TYA had great success, releasing ten albums together, but by 1973 Lee was feeling limited by the band's style. With American gospel singer Mylon LeFevre and a host of rock talents like George Harrison, Steve Winwood, Ron Wood and Mick Fleetwood, he recorded and released On The Road To Freedom, a highly acclaimed album that was at the forefront of country rock. A year later, in response to a dare, Lee formed Alvin Lee & Company to play a show at the Rainbow in London and released it as a double live album, In Flight. Ten Years After 1967 An energetic mix of rhythm & blues and rock, with a tribute to Elvis Presley thrown in for good measure, Lee once, in his understated fashion, called this band 'a funky little outfit'.